I hope you’re enjoying the new layout for my website because I sure am! I’m in a real Organizing-And-Take-Stock moment of my life. Some people relax by watching TV or reading a good book, but for me, nothing soothes my nerves as much as decluttering. Now, if only I could get my family onboard…
And while sorting through some old files, I found this old gem from 2019 that I’d never posted. I was done during a moment of downtime between projects at work, and was the inspiration for the lunchtime landscape studies that got progressively more involved and sophisticated. The Charlevoix region of Quebec has some pretty spectacular scenery and I’d love to go back and try my hand at Plein Air painting, but I think I’ll have to wait until the gas prices go down before I head out on another road trip.
Another day, another re-paint! While I try to summon the courage to break away from digital art and actually pick up a paintbrush, I’m indulging in re-painting some of my older digital landscapes. It’s not entirely fair for me to disparage my old work and say “Wow! Look how much I’ve learned” because those first landscapes were just supposed to be quick studies done over my lunch hour (like I don’t spend enough time staring at a screen, right?). But with time, those early studies have started to look pretty clunky, and, quite frankly, a little embarrassing. I’m not saying that I’m going to give my entire portfolio a do-over, but… maybe a few pieces here and there.
To be honest, I don’t even remember how I came across Forget-Me-Not’s Press’s call for submissions, but as soon as I read that the theme for the issue was “A Cold Winter’s Night”, I just knew that I had some artwork that would fit the bill nicely. This is actually the very first time that I’ve ever submitted any art for inclusion in a magazine, and I am beyond thrilled that they selected “Mile End View” for publication!
Click this link to read the whole beautiful issue. Congrats to the entire Forget-Me-Not Press team!
I’ve never attempted a landscape dominated by a great expanse of rippling water before, and now I know why: painting it was a dreadfully tedious pursuit! AND YET, after a particularly wrenching week of work, forcing myself to solve the problem of how to paint all those ripples turned out be a great stress reliever (well, actually, more like a STRESSFUL stress-reliever, if you catch my drift)! Who knew? There were plenty of times when I thought I was in over my head, but seeing the final result, I’m glad I took the plunge. Sometimes, all you can do is just dive right in (and also “just keep swimming, just keep swimming, just keep swimming…”).
(Sorry for the terrible water-related puns, but I just couldn’t help myself) 😉
After my self-portrait, I had a little spate of bad luck art-wise. While January was a really productive month, February has been one failed art experiment after another. I’m also trying to pep-talk myself back into picking up an actual paint brush and committing to a decent-sized canvas, but it’s slow-going for now. I’ve had this digital re-paint of my very first acrylic paint from 2016 on the back-burner for a few months now, and because it’s good for morale to actually FINISH things, this seemed like the perfect time to wrap it up.
When I look back on the original painting, I’m struck by how every single brush stroke looks nervous and hesitant. I had internalized so much negativity from my time at art school that it’s a miracle I’d managed to paint anything at all. I may not be as productive, nor as consistent, as I’d like to be, but I’m proud of how far I’ve come since this first painting.