Tremblant in the Rain, Take 2

Digital Art, Landscape
©2021, Emma Pittson, “Tremblant in the Rain, Take 2”. Painter.

Long time no blog! I was going great guns there for the first few months of 2021, and then starting in March my husband had to put in a lot of overtime, and frankly, it’s been that way ever since! When I’m not working at my own full-time job, I have to stay on top of practically everything else – making sure the kids are getting their homework done or aren’t going out of their minds with boredom (and walking into Mommy’s Zoom calls for work!), cooking, getting a handle on everything we’ll need to prepare my daughter for her new school, and making sure the house doesn’t fall into complete ruin. There are many, many corners of my house that I have not dusted in what seems like forever. Luckily, we’ve had exactly zero houseguests in the last year and a half, so no one’s been around to be horrified at my lax housekeeping.

Anyways, another reason why I haven’t produced much of anything in the last few months is because I’ve been in a period of serious re-evaluation of my own work. When I started this blog, it was to track my progress as I re-taught myself everything I’d forgotten from art school, or filled in what I missed. I’m proud of what I’ve accomplished, but at the same time, I can look at my portfolio pages and not feel that the work there truly represents me as an artist. Don’t get me wrong: I enjoy the landscapes, but they also bore me! If I were to set up a website for my art (which I am very much aiming towards), the landscapes would not have any place on it. I consider them as less “elevator pitch” and more “art tool practice” – heavily-involved and elaborate colour wheels, if you will.

So I’m doing a lot of thinking, image-collecting, mood-boarding, and internal pep-talking. Now all I need is some free time, and I might just be able to make this happen!

To get my feet wet again, I upgraded my version of Corel Painter and tested it out by re-painting the Tremblant in the Rain painting. I’m MUCH happier with this version, and my husband liked it so much he half-jokingly offered me a job as a matte painter! (If only… if only…)

Painting for January 23: Where did the time go?

30 Paintings in 30 Days, acrylic, Portraits
january-23
©2017, Emma Pittson, “Hair Study no. 5“. Acrylic on canvas, 6″ x 8″ x 0.5”.

I think we can dispense with all pretense that I’m in any way keeping up with the “30 Paintings in 30 Days” challenge.  So now that that’s out of the way, let me just say that this is my favourite “hair painting” so far.  Not only did I let myself get carried away with details (so much for “daily” painting), but bonus!  I also took the reference photo myself, so, FINALLY, I can claim to have created an original painting.  Many thanks to my lovely and patient model, S-A, who’s probably convinced by now that she works with weirdos.

Painting for January 12: This painting is cooler than me

30 Paintings in 30 Days, Portraits
Hair Study no.5 undershave purple hair mohawk
©2017, Emma Pittson, “Hair Study no. 5″. Acrylic on canvas, 6″ x 8″ x 0.5”.

I regret that I made it all the way through my teens and twenties without ever getting an undershave, gutless wimp that I was (am).  This painting is about as close as I’ll ever come to having that hairstyle myself…

Painting for January 10: my new bff

30 Paintings in 30 Days, my art
january-10
©2017, Emma Pittson, “Hair Study no.4″. Acrylic on canvas, 6″ x 8″ x 0.5”.

Have you met my new best friend?  It’s Liquitex’s Airbrush Medium, and by gum, this just might be the answer to my prayers: a medium that makes acrylics just slick and blendable enough to make your life easier while still drying within a reasonable amount of time.

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Painting for January 7: Technique is overrated

30 Paintings in 30 Days, my art, Uncategorized

january7

“January 7, 2017″ – oil on wood, 6″ x 8”

Ok, so I’ve fallen off the wagon a bit (a lot) for this “30 Paintings in 30 Days” challenge, but in my defense, I did say that I might not be able to keep up the pace all the way through.  (The village was already burning when I got here, Ma’am.  That’s my story and I’m sticking to it).

And what strange paintings these are!  First of all, painting hair is totally different from painting faces because hair is essentially a shape, or collection of shapes.  Consequently, they’re coming out a lot rougher and more slap-dash than the portrait studies from the last challenge.

I *think* I like them, even if they weren’t at all what I expected.