Third Time’s the Charm

©2024, Emma Pittson, “Night Sky”. Oil on paper, 8″ x 10″.

Such a simple image: lots of blue, lots of black, and a tiny spattering of gold. This SHOULD have been one of my easiest paintings to paint, right?

WRONG. Maybe it was the tricky combination of Cobalt Blue, Ultramarine Blue, and Mars Black that added unexpected drying time to my treasured water-miscible oil paint… maybe it was the choice of substrate that guaranteed my frustration (canvas – too rough, even with a few extra coats of gesso; YUPO paper, so smooth that the paint lifted right off; and finally Canson Oil & Acrylic paper, too buckle-y)… but most likely, it was the fact that, as usual, I mixed and applied too little paint at a time, and that meant that I had to work and re-work certain areas over and over again. There needs to be a support group for cheapskate painters like myself (“Hi, my name is Emma, and I consistently mix too little paint and then I have the gall to wonder why my brush isn’t gliding smoothly across the surface, and the whole process takes much, MUCH longer than it should. Will I never learn??”).

Anyways, after all that heartache, I am pleased with the final result! I’ll have to make some repairs to the right side of the painting to make up for what the tape lifted off accidentally, but otherwise, this might be one of my favourites. I just never want to see it again! 😉

My own little “Salon des Refusés“! From left to right: acrylic on Canson paper, oil on canvas, acrylic on YUPO paper

South Island Mountains

©2021, Emma Pittson, “South Island Mountains”. Oil on paper, 6″ x 8″.

Confession time: this New Zealand landscape has been sitting on my easel as a faint pencil outline for almost 3 years. THREE. YEARS. I wasn’t satisfied with my first attempt, so I plugged away at different studies, first as a digital colour test, and then as a digital value study.

First attempt in oils – bright colours and all!

Eventually, having studied the Heck out of this thing, I felt ready to make a second attempt. I stretched and gesso’d the paper; I taped the edges for a nice, clean border; I transferred the lineart; and then… I got bored with it? Honestly, it was so long ago that I can’t even remember what happened! I’m guessing that it was a combination of work/parenting obligations getting out of hand, and the fear that I had simply chosen the wrong image to wrestle (let’s face it, for such an impressive landscape, the camera lens makes it look pretty flat).

Colour Study in Photoshop (I may have cheated and used the Colour Picker)
Value Study in Photoshop. This was my screen saver for a while!

Ain’t gonna lie: the final version almost died on the easel. I hadn’t touched REAL PAINT in 3 years, and water-soluble oils are a tricky beast even at the best of times. I got so frustrated that I even resorted to working with a palette knife! But I threw my faith behind the power of layers and persevered, and while it’s not perfect (colours are STILL too bright! Is it my eyes or is it you, Holbein Duo Aqua oils?), I can now say that this painting is DONE. And it only took 3 years! 😉