Ever purchase some art supplies that fail to live up to the hype, or even sadly disappoint you? I had that experience just recently.
While stocking up on some stretched canvases, I decided to try a different brand. Royal & Langnickel stretched canvases came in economical packs of ten, and I thought “Well, my usual Omer Deserres are just fine, but maybe these are better?”, and, um… no.
I felt like I was trying to paint on burlap that had been given a generous coating of water repellent! Worst of all, I was also testing out a new set of Daler-Rowney water-miscible paints at the same time. How could I tell how the paint was behaving on such a lousy support?
And here is a close-up of the canvas texture, just for fun. Smooth as a baby’s bottom, no?
Ah well, at least I’m happy with how the image turned out! I had started a second painting at the same time, and because I had only put down a value study in acrylics, I gave that canvas a few coats of matte medium in hopes that it would kind of “fill in the holes” – but I think it was only moderately successful. As a final attempt to salvage my investment (and I say that with tongue firmly in cheek because I am a total cheapskate), I slapped two more coats of gesso on two unused canvases. I don’t know if I feeling brave enough anytime soon to give those a whirl, but if they ALSO turn out to be failures, then it looks like my kids are going to inherit a whole bunch of stretched canvases, whether they like it or not! 😉
Getting back into painting after such a long hiatus, I am more mindful of finding the right tools for the job. Long gone are the days when I would march mindlessly into an art supply store and buy whatever the Art School teachers had put on our school supplies list. Hog hair bristle brushes to work with acrylic paints? Sure! Why not? Hey, it’s not as if we knew any better! Needless to say, I’ve learned a lot more about brushes since then.
While I still paint with acrylics (Liquitex), I have also explored water-soluble oil paints (Holbein’s Duo Aqua Oils). Hog hair bristle brushes are best avoided with both of these mediums because they get soggy in water, but that’s fine because there are so many synthetic options out there. Here is a quick rundown of some of the brushes I use most often, and some that I avoid:
Winsor & Newton, University series – A distinctive red handle with white synthetic bristles, I reserve them mostly for acrylics, but they have proven resilient enough for water-soluble oils, too. I’ve been working with them for a few years now, and the bristles have only recently yellowed with use.
Winsor & Newton, Artisan series – Space Age-looking brushed silver handles with synthetic bristles meant to mimic natural hog hair, these were the first brushes I ever bought specifically for water-soluble oils. They look cool but maybe they went too far in trying to pass for hog hair bristles. As a result, their feel is a bit “uncanny valley” for me.
Liquitex, Free-Style – Jaunty green handle with nylon bristles, these brushes have excellent snap and hold their shape. The only reason why I don’t love them is because the green of the handle chips away over time where it connects with the ferrule. Unless I want to pick bits of paint handle out of my paintings, I’d better find a way to stop this from happening. Maybe coat the handles with Matte Medium…?
Princeton, Dakota 6300 series – Also known as “Where have you been all my life?”, I first learned about these brushes while scrolling through Wet Canvas threads looking for “best brushes to use with water-soluble oils”, and let me tell you, they do not disappoint! If you want your brushes to take everything you throw at them and keep on ticking, Dakotas are well worth the investment! With their dark brown marbled handle and gold ferrule, they are also the classiest-looking brushes in my collection.
Princeton, Real Value 9100 series – Cheap and surprisingly good! If you are on a budget, you could do worse than buying a few of these white taklon brush sets with their optimistic orange handles. In fact, I like them almost as much as the Dakotas (maybe even more so because they are less “precious” than the Dakotas).
Princeton, Snap! series – To be honest, I was a little disappointed in these brushes. They have a funky multi-coloured handle, but the synthetic bristles are just a little too soft for my taste. If I was more of a glaze painter, I would probably like these brushes more.
Royal & Langnickel, Zen 33 series – Who can resist a bargain? Not I! When I was first getting back into painting and trying to build up my brush stock, these brushes proved to be my downfall (their handles – so shiny! their price – so affordable!). Their performance? Okay, I guess. I keep them around for blocking in large areas of colour, or if I know I’ll be using a lot of acrylic mediums with my paint.
Brushes that totally disappointed me (at least, when I used them with water-soluble oils): Winsor & Newton, Eclipse series and the Escoda Versatil series. The W&N brushes ended up being too soft to spread any paint around, and both the W&N and the Escoda brushes frayed almost immediately after making contact with the paint.
What are some of your favourite brushes? Any brushes that you’ve learned the hard way to avoid? Please share!