Everyday View

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©2020, Emma Pittson, “Rooftops of Mile End”. Photoshop.

Remember when I said I wanted to try my hand at painting architecture more often (which is entirely reasonable because I’m surrounded by it all the time)?  Well, I came to regret that impulse while painting this piece.  It absolutely kicked my butt!  Who knew there were so many vents and pipes and satellite dishes on a typical Montreal rooftop?  Anyways, in case you were wondering, I see this view every day as I leave my office – the North side of Mile End, with Mount Royal in the distance.

First post of 2020!

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©2020, Emma Pittson, “Winter Sunset”. Photoshop.

And it’s a view from my livingroom window (minus a high-rise or two off in the distance)!  Work with what’s available, right?  I found I really enjoy painting snow on rooftops – it’s almost like icing a cake.  Ask me how I feel about that after another 3 months of winter… 😉

Merry Xmas Eve!

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©2019, Emma Pittson, “Villa Maria Sunset”. Photoshop.

I’ll be honest: 2019 was not the easiest year BUT I did get back into art-making, and that’s got to count for something, right?  I hope everyone has a lovely holiday season with family and friends, and may 2020 bring joy to all of you in large ways and small!

Clouds at Ste-Irenee beach

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©2019, Emma Pittson, “Clouds at Ste-Irenee Beach”. Photoshop.

I often think to myself that it would be so much easier if I could a) get excited about drawing buildings (haven’t really tried, but you never know – I might find I love it!), and b) not mind that I can’t see any horizon line.   I’m a city-dweller, but I don’t find artistic inspiration in cities – because, honestly, how could cities ever compare with the St-Lawrence river and great big, puffy clouds?

Lac Stukeley

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©2019, Emma Pittson, “Lac Stukeley”. Photoshop.

I’ve fallen a bit behind with my landscape studies, and just when I had turned a corner with them, too!  At this point, they were getting more and more complicated, and more than one lunch-hour to finish.  Even so, I made a conscious decision NOT to fuss with the reflections on the water in the foreground.  The result is what I like to call “good from far, and far from good”.  I am very happy with the blue shading on those mountains, though!