Changing Course

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The start of a beautiful friendship? or imminent disaster?

I won’t lie: I have really enjoyed the “30 Paintings in 30 Days” challenge (even if I’ve only done about half of it.  I was a late beginner, after all).  It was a fantastic opportunity to force myself to get comfortable with paint, as quickly as possible.

And it worked!  Already, I can see a huge improvement in my painting over the last few weeks, and most of that can be attributed to the fact that the more confident I felt, the more I was willing to push myself.  Heck, I even tried my hand at oil painting (shocker!), and not only did my studio NOT spontaneously combust, but I also managed to churn out some pretty decent work.  High-fives all around!

BUT… there is one problem: all of the work I’ve done so far has been reproductions of images I’ve found on the internet.  To be fair, I never claimed that they were original images, and have always been careful to title them as “studies”, but still my conscience is not clear.  Someone else took the time to hire the model, the hairdresser and makeup artist, set up the lighting, rent the studio, develop the art direction, etc, etc.  I didn’t have anything to do with any of that.  All I did was say “Wow, I’d love to try painting that”, and then proceeded to do so.  Most of the artistic decisions were made by someone else.  In a way, this is just another variant of Fan Art, and I’ve already gone on at length about my problematic relationship with it.

Which means we’re right back at Square One: if I want to make completely original work, I need to photograph my own models.  I don’t have the monetary funds for that, so the next best thing is to cobble together a few choice images and hope that the result is harmonious (or at least, a mostly harmless Franken-picture, if you will).  Behold my first try (see above)!

And here’s where the fears and doubts come crashing in because now I’m the one making the artistic decisions.  My mind is constantly second-guessing, oh, just about everything, and I’m having a lot less fun.  I’m even dredging up some serious existential garbage from my subconscious, wondering “Is this what it means to be an artist?  Because, quite frankly, I don’t know if I have the strength of character to pull off a lifetime of these insecurities!”  Honestly, how does Rose Miller of Wolfgang and Rose make it look so easy? 

Just so we’re clear, I may have a few more meltdowns before this picture is done, but I promise to give it my best shot!

Painting for September 10

Face Study no.5
Face Study no.5 – oil on panel, 6″ x 8″

Face Study no.5 – oil on panel, 6″ x 8″

We have a set of Holbein Duo Water-Soluble Oils that have been sitting around since, oh, forever.  I decided to give them a go even though I have practically ZERO experience with oil paints.  You can see where this is going…

I should ‘fess up right now that today is my husband’s birthday, and at this moment, I am full of roast beef, wine, sweet potato, wine, chocolate cake, and wine.  Also, wine.  Talk about the WORST time to close yourself up in a small room and fiddle with art supplies that give off headache-inducing fumes.   But, oh… I SO wanted to get that fat, buttery, wet-in-wet oil paint look.

And I kinda, sorta, in some way succeeded… I think.. maybe?  There are parts where there’s clearly too much linseed oil, and I didn’t approach the picture with much confidence and it shows.  Perhaps it’s just a question of more practice… and nose plugs… ok, and maybe less wine.

What I’m happy with:

  • I’m just thankful that the painting is not a big blob of formless goo

What I’m less happy with:

  • believe it or not, the whole wet-in-wet thing got REALLY ANNOYING REALLY FAST.  After the first few confident strokes, it was a real letdown to realize that any little accidental smudge after that meant that you’d have to do the whole area over again.  And how the Hell do you put white highlights on a surface that’s so slippery?

What I learned with this painting:

  • that I really, really, REALLY love having control and painting this way with oils gives you as much control as herding stoned cats.

Painting for September 7

30paintings-no-2
Face Study no.2 – acrylic on panel

Here is my painting for September 7th – Day 7 (well, for me, it’s Day 2) of the 30 Paintings in 30 Days Challenge.

What I’m happy with:

  • pretty much everything on the right side.  Those pale colours with that thin outline really make me hum with satisfaction.
  • the white highlights.  SO much easier to do on any surface that is NOT paper.

What I’m less happy with:

  • pretty much everything on the left side.  The reference image is very calm, and I somehow made her look like she walked away from a bad fistfight (“you should see the OTHER guy!”).

What I’ve learned so far:

  • because I have practically zero training in painting (and this despite the fact that I have a Fine Arts Degree – chew upon that, alma mater!), I’m a lot less comfortable making paintings that are, I dunno… paint forward?  I forced myself to use the biggest brushes possible for as long as possible on this tiny panel, but I was happiest when I could take out the detail brush, or when I could apply the paint as if I was drawing.
  • Slow-Dri Blending Gel really works.  Bless you, Liquitex.

What was going through my mind practically all the way through:

  • I suck at painting
  • y’know, if I did this with Photoshop, it would come out AMAZING

See you tomorrow!

 

The “30 paintings in 30 days” challenge

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Face Study no.1 – acrylic on paper.

I swear to you that I am not crazy – I’m just at a serious stand-still when it comes to my art!  I need a decisive kick in the pants, so against my better judgement, I’ve decided to participate in Leslie Saeta’s “30 Paintings in 30 Days” challenge!

I’m just kidding – cranking out a painting a day is actually a really good idea.  I did that for a week last winter and I ended up learning so much (and bonus! I had 5 beautiful landscape paintings by the end of it).  I talk a big talk about how I want to be a serious artist, but that’s never going to happen if I can’t even decide on what I want to paint, or if I lack the skills to get those paintings onto canvas.  Thirty days of face studies should not only bring my skill level up to something acceptable, but also help me to determine if painting the figure is what I want to focus on at all.

Here we go….!

Artistic Output of 2016… so far!

Best of 6 months 2016 part1 small
Starting at the top, left: Face Study (pencil on paper); Face Study (digital); Face Study of Nita Naldi (digital); commission of G.I.Joe’s Duke “Long Day at the Office” (digital); 5 Daily Paintings of New Zealand landscapes (acrylic on panel)

As we approach the halfway point of 2016, I thought it would be cool to assemble all (or most of) the artwork I’ve produced so far this year and get a better sense of where I want to go next.

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