Running in circles

october18-final
Face Study, pen on paper, 5.5″ x 7.5″

Long time no blog!

And I have an excellent reason for that: since the end of the “30 Paintings in 30 Days”challenge, I have had to face the facts (and the finances), and hustle my butt to get a job.  This is a particularly arduous task because I’ve been a full-time parent for the last decade, and, like most stay-at-home-moms returning to the workforce, I have lost all of my confidence (to be fair, though, it was never very high).

To make matters worse, my former industry (computer animation) is very tech-heavy and very youth-oriented.  I was certain that I wouldn’t be able to make sense of any 3D software after being away from it for so many years, and even if I did manage to wrap my head around it, I’d be a middle-aged woman surrounded by bright-eyed 20-somethings (cue Sesame Street’s “One Of These Things Is NOT Like The Others”… or was that from The Electric Company?  Oh God, my memory is failing already!).

Fortunately for me, I still have friends in medium-high places, and one of them is willing to pass on my demo reel (watch it here on YouTube!) to his studio’s HR dept.  I have a copy of the latest version of Maya, and I’m happy that most of my animator’s instincts have come back to me.  There’s no guarantee that this will turn into an actual contract, of course, but it’s the most positive outside feedback I’ve had in a long time.  Believe me, I will take what I can get!

The other reason why I’ve been quiet lately is because I’m tired of the Face Studies – not because I dislike making them, but because I want to concentrate on original work.  The trouble is, I can’t decide what I want to do or how I want to do it (the usual refrain), and this lack of original work weighs on me more and more with each passing day.  With all that stress, who has the gumption to make ART?

Well, I’ve written up the glowing cover letters, I’ve fine-tuned the resume, and I’ve re-cut the demo reel.  They’re out there in the world at this very moment, impressing or boring recruiters as we speak.  There’s nothing left for me to do except wait*.

So Hell YEAH, let’s make some art!  Inktober may have started weeks ago, but better late than never. 😉

*And panic.  Can’t forget to panic.

 

The “30 paintings in 30 days” challenge

30paintings-no-1
Face Study no.1 – acrylic on paper.

I swear to you that I am not crazy – I’m just at a serious stand-still when it comes to my art!  I need a decisive kick in the pants, so against my better judgement, I’ve decided to participate in Leslie Saeta’s “30 Paintings in 30 Days” challenge!

I’m just kidding – cranking out a painting a day is actually a really good idea.  I did that for a week last winter and I ended up learning so much (and bonus! I had 5 beautiful landscape paintings by the end of it).  I talk a big talk about how I want to be a serious artist, but that’s never going to happen if I can’t even decide on what I want to paint, or if I lack the skills to get those paintings onto canvas.  Thirty days of face studies should not only bring my skill level up to something acceptable, but also help me to determine if painting the figure is what I want to focus on at all.

Here we go….!

Study – Sebastien Chabal – Take2

Sebastien Chabal2 v2

What can I say?  This guy has a really interesting face, and since my grand plans for a Fine Art career are on hold for the moment, I might as well indulge in some studies.  That being said, this is also a perfect example of a drawing where I didn’t really decide on a plan of action before sitting down to draw.  By that, I mean: is my intention to make a quick values study (like the first one), or do I want to REALLY get into every single line and pore and make this as realistic as I can (and by the way, if you’re going to do that, do yourself a favour and begin with a high-res reference image.  Don’t try to make something out of nothing, like I did here).  Because I changed my mind as the drawing went along, I feel like it’s neither as photo-realistic as I want to be, nor is it as breezy and fresh as the first drawing.  It’s just kinda… “neither here, nor there”.

Back to work!

 

 

Artistic Output of 2016… so far!

Best of 6 months 2016 part1 small
Starting at the top, left: Face Study (pencil on paper); Face Study (digital); Face Study of Nita Naldi (digital); commission of G.I.Joe’s Duke “Long Day at the Office” (digital); 5 Daily Paintings of New Zealand landscapes (acrylic on panel)

As we approach the halfway point of 2016, I thought it would be cool to assemble all (or most of) the artwork I’ve produced so far this year and get a better sense of where I want to go next.

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